The expression modernism identifies the shift that is radical visual and cultural sensibilities obvious when you look at the art and literary works associated with the post-World War One duration. The ordered, stable and inherently significant globe view regarding the nineteenth century could perhaps maybe not, penned T.S. Eliot, accord with “the enormous panorama of futility and anarchy which will be modern history.” Modernism therefore marks a break that is distinctive Victorian bourgeois morality; rejecting nineteenth-century optimism, they offered a profoundly pessimistic image of a tradition in disarray. This despair usually leads to an obvious apathy and ethical relativism.
In literature, the motion is linked to the ongoing works of (among others) Eliot, James Joyce, Virginia Woolf, W.B. Yeats, Ezra Pound, Gertrude Stein, H.D., Franz Kafka and Knut Hamsun. Within their make an effort to put from the visual burden associated with realist novel, these authors introduced a number of literary strategies and products: